EL TEN ELEVEN
The Globes
Sister Crayon
9 pm
$12/$14
Adv tix:
http://ticketf.ly/mCFbce
EL TEN ELEVEN
"A sort of Silverlake-style Sigur Ros, the L.A. duo makes experimental instrumental music that's both highly skilled and deeply felt. ... The duo's compositions take on an incredible musical and emotional complexity." --Spin
“DFA 1979 and Ratatat are obvious antecedents, but...
[read more] EL TEN ELEVEN
The Globes
Sister Crayon
9 pm
$12/$14
Adv tix:
http://ticketf.ly/mCFbce
EL TEN ELEVEN
"A sort of Silverlake-style Sigur Ros, the L.A. duo makes experimental instrumental music that's both highly skilled and deeply felt. ... The duo's compositions take on an incredible musical and emotional complexity." --Spin
“DFA 1979 and Ratatat are obvious antecedents, but these guys place a great emphasis on layering and manipulating loops on top of a consistently bodyrocking beat.” --RCRDLBL.com
“Constructed extraordinary tunnels of sound using various effects pedals and sampled loops that they create on the fly. Just think Explosions in the Sky – but with a pulse.” --Seattle Times
http://www.elteneleven.com/
THE GLOBES
"The Globes, from Spokane, are way up there on the list of great acts that made their mark on the local indie-pop scene this year, meaning that Seattle's next big thing may actually come from beyond the mountains...hints of darkness and discord... moody yet warm, deep and lovable. It's the ideal kind of music to get attached to, not demanding attention but definitely meriting it." --Seattle Weekly
"To limit The Globes into one concrete genre is a waste. ... However you want to classify their sound, it’s damn good, and very original." --What's Up Magazine
http://www.facebook.com/theglobes
SISTER CRAYON
"On 'Holy (Or)der,' Sister Crayon maximizes a sonic landscape of ethereal loops and twangy keyboards that evoke childhood music machines contrasted with Terra Lopez’s warm-deep-sad vocals (primarily words, occasionally pure instrumental sound). SC exists on that fine line of sadness and bliss, ever unstable, ever reaching across their driving methodic beats for sanctuary before the fadeout." --Sacramento Underground Music Examiner
http://www.myspace.com/silentandclementine
