Recently receiving an 8.8 from Pitchfork (THE THIRD HIGHEST REVIEW THIS YEAR!) and 4.5/5 from Tiny Mix Tapes for their new album w h o k i l l, tUnE-yArDs is embarking on a massive tour in support of one of the years best new albums. On September 30th, tUnE-yArDs will grace the stage of the historic Exit/In in Nashville, TN with support from Pat Jordache.
Tickets are $12 in advance and $14 the...
[read more] Recently receiving an 8.8 from Pitchfork (THE THIRD HIGHEST REVIEW THIS YEAR!) and 4.5/5 from Tiny Mix Tapes for their new album w h o k i l l, tUnE-yArDs is embarking on a massive tour in support of one of the years best new albums. On September 30th, tUnE-yArDs will grace the stage of the historic Exit/In in Nashville, TN with support from Pat Jordache.
Tickets are $12 in advance and $14 the day of the show. One can inquire tickets here:
http://www.exitin.com/calendar/
If Purchasing items over the interwebs isn't your style, you can also grab tickets from your good friends at Grimey's, The Groove, or directly from the Exit/In. Tickets are going fast, so to insure your spot it is HIGHLY RECOMMENDED to purchase in advance. Read on for more information about one of the most original voices in music today.
The brainchild of Merrill Garbus, tUnE-yArDs began life as dictaphone recordings which were then painstakingly mixed down on GarageBand to create the opening gambit, her debut album BiRd-BrAiNs. Initially released on a limited LP run through Marriage records with screenprinted sleeves recycled from thrift store bargain bins, it wasn't long until others took notice and she soon signed a worldwide deal with 4AD. The album was formally released in late-2009, having been remastered and with four more tracks added. The Guardian, whilst awarding it 5/5, called her "the find of the year." In 2011, that rings as true.
Alongside the record, she also started to build quite a reputation for her live performances. Using loop pedals, two mics, a snare drum, a ukelele, her distinctive voice (she's spent time teaching singing in Kenya) and crucially, a second band member, Nate Brenner on bass. Together, things started to happen when they took to the road with kindred spirits, the Dirty Projectors, on both their US and European tours. As word of mouth spread, the venues they were playing in were filling up earlier than usual as people heard of their genius. Anyone who has seen them live will attest to them being nothing short of incredible live. It comes as no surprise then that at this year's SXSW, they were one of the biggest draws.
The new album, w h o k i l l, was released on April 18th on 4AD and marks a time when everything came together in to one cohesive whole. Recorded in a studio and influenced heavily by her moving to Oakland, California, she and Nate have made an album that delivers on her early promise. Lyrically Garbus explores constructs of femininity and sexuality with the threat of violence that lurks on the streets where she now lives, while the energy of their show has been translated perfectly to record.
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